Wesley Fuller
          Wesley Fuller is a composer and theorist. His music is performed internationally, is published and distributed by Silent Editions (USA), and Edition Modern (Munich), and is recorded on Neuma (Acton, MA), Capstone (New York), and 3D-Classics (Paris) labels. Among his numerous awards and grants are those received from The National Endowment for the Arts, The Berkshire Music Center at Tanglewood (Fellow in Composition), The Camargo Foundation at Cassis, France (Composer in Residence), The Colgate University Computer Music Center (Resident Composer), The Digital Equipment Corporation (Computer Music Studio Development), and the Clark European Center in Luxembourg (Director and Co-Director respectively of the international conferences: Open Structure in 20th Century Music (1986), and Technology and The Computer, The Continuing Tradition of Music Composed for Tape (1994). Among his published critical and theoretical writings are “…astonished Art…” (Interface. Journal of New Music Research); Fourteen Introductory Tutorials to C-Sound (Music Technology Unlimited); Bright Seaweed Reaping. An Essay on A Song of Thomas DeLio. (The Edwin Mellen Press, Ltd.). The composer is the George N. and Selma U. Jeppson Professor of Music, Emeritus, at Clark University, where he founded the Clark Computer Music Studio, and co-founded the Tri-College Group for Electronic Music and Related Research.

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