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Works by Thomas DeLio
Click here for recordings by Thomas DeLio
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Price $10.00 per work
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ylm, n (XX-XXV) (2008)
Duration: ca. 3'
Instrumentation:
ob., 3 Bb cl./1 doubling bass cl., soprano sax., alto sax., vln., vla.
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cs, s (XIV-XVII) (2008)
Duration: ca. 1 ¾'
Instrumentation: ob., Bb cl., vln., vla.
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sc, s (X-XII) (2008)
Duration: ca. 1 ¾'
Instrumentation:
ob., Bb. Cl., soprano sax., vln., vla.
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en / l'espace de... (XXVI-XXX) (2007)
Duration: ca. 2 ¼'.
Instrumentation: soprano and chamber orchestra
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XXIII-XXVII (2007)
Duration: ca. 3'17".
For Tape
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...zwischen den Worten (2007)
Duration: ca. 5 ½'.
For tape, texts - Paul Celan
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Transparent Wave VIII (2007)
Duration: ca. 1 ¼'.
Instrumentation: Percussion solo
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Transparent Wave VII (2007)
Duration: ca. 1 ¾'.
Instrumentation: Saxophone solo
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XV-XXI (2006)
Duration: ca. 3 ½'.
Instrumentation: 3 Bb cl. vln., vcl., perc.
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XI-XV (2006)
Duration: ca. 2 ½'.
Instrumentation: Bb bass cl., bb tpt., vln, vla., vcl.
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XIII-XVII (2006)
Duration: ca. 2 ¼'
Instrumentation: ob., Bb cl., Bb bass cl., C tpt., vln., vla., perc.
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onnh I (2006)
Duration:: ca. 2'
Instrumentation: fl., Bb cl. doubling bass cl., vln., vla., cello, piano, perc.
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onnh II (2006)
Duration:: ca. 2'
Instrumentation: fl., ob., Bb cl. doubling bass cl., vln., vla., cello, piano, perc.
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transients / images (2006)
Duration: ca. 4'
Instrumentation: percussion, piano; based on Transparent Wave VI
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transients / resonances (2006)
Duration: ca. 5 ½'
Instrumentation: flute, Bb clarinet, violin, cello, percussion, piano; based on Transparent Wave VI
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transients / waves (2006)
Duration: ca. 4'
Instrumentation: percussion; based on Transparent Wave VI
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mn ,s (2005)
Duration: ca. 1 ¾'
Instrumentation: Fl., violoncello
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IV-VIII (2005)
Duration: ca. 2 ½'
Instrumentation: Bb Clarinet and string quartet
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qu'un espace / sépare (2005)
Duration: ca. 5 ½'
Instrumentation: percussion ensemble, soprano
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Song: Foxrock near Dublin (2005)
Duration: 8'.
For tape, 5.1 surround, text - P. Inman
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alomn (2004)
Duration: ca. 2'
Instrumentation: Bb cl., 2 vln., 2 vla.
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e, nm (2004)
Duration: ca. 2'
Instrumentation: fl., cl., vln., vcl., perc.
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e/ede (2004)
Duration: ca. 3'
Instrumentation: 3 Bb cl., ob., bsn., C tpt., piano, vln., vla., vcl.
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Ilil (2004)
Duration: ca. 2'
Instrumentation: 4 vln., 4 vcl.
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Iol (2004)
Duration: ca. 2' Instrumentation: piccolo, Bb cl. Eng. Hn., Bb tpt., 2 vln., 2 vla.
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Zilahn (2004)
Duration: 3'
For tape
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Transparent Wave VI (2003)
Duration: ca. 2'
Instrumentation: vibraphone
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wave / s (2003)
Duration: ca. 4'
Instrumentation: percussion; based on Transparent Wave IV
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Belle-Isle I-IV (2003)
Duration: ca. 7'
For tape
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amounts. to. (2002)
opera/installation for tape (six tracks), text - P. Inman; plays continuously over several days.
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so, between (2002)
Duration: ca. 2'
Instrumentation: fl., Bb cl., vcl., piano, perc.
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et ainsi (2001)
Duration: ca. 9'
Instrumentation: soprano, fl., ob., B ? cl., C tpt., tenor tbn., vln., vcl., piano, 2 perc., texts - Stéphane Mallarmé
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ce,lf (2001)
Duration: ca. 1'
For tape
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cel,f (2001)
Duration: ca. 1'
For tape
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,c,el,f (2001)
Duration: ca. 1'
For tape
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Transparent Wave V (2000)
Duration: ca. 4'
Instrumentation: violoncello
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qu,m (2000)
Duration: ca. 2'
For tape
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qu,r (2000)
Duration: ca. 2'
For tape
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z,rb (2000)
Duration: ca. 2'
For tape
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Center / s (2000)
Duration: ca. 4'
For tape
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Transparent Wave III (1999)
Duration: ca. 2'
Instrumentation: Soprano; Text by A.R. Ammons
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x,e (1999)
Duration: ca. 2'
For tape
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inc,e (1999)
Duration: ca. 1'
For tape
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Center (version I, soprano solo) (version II, soprano and chamber ensemble) (1999)
Duration: ca. 14'
Instrumentation: Vers. I - Soprano Solo. Vers. II - Soprano and Chamber Ensemble; Text by A. R. Ammons
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as though / of (1999)
Duration: ca. 5'
For tape
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the root, the sap (1998)
Duration: ca. 13'
For Soprano and Piano; text by Basil Bunting
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n,mcr (1998)
Duration: ca. 1'
For tape
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nna,c (1998)
Duration: ca. 1'
For tape
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"decker" (1998)
Duration: ca. 9'
For tape; text by P. Inman
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n,c (1998)
Duration: ca. 1'
For tape
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think on parch (1997)
Duration: ca. 19'
For tape; text by P. Inman
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though, on (1997)
Duration: ca. 2'
For tape
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plin,h (1997)
Duration: ca. 1 3/4'
For tape
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plin,x (1997)
Duration: ca. 1'
For tape
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m,nce (1997)
Duration: ca. 2'
For tape
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as in (1997)
Duration: ca. 2 ½'
Instrumentation: string orchestra
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or (1996)
Duration: ca. 2'
Instrumentation: ob., 2 Bb cl., C tpt., vln., vcl., 1 perc.
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que cela se puisse (1996)
Duration: ca. 1'
Instrumentation: speaker, fl., Bb cl., vln., cb., piano; text - Stéphane Mallarmé
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to make / -as / in- (1996)
Duration: ca. 5'
For tape; text - Leslie Scalapino
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"because the..." (1995)
Duration: ca. 2'
For tape
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Pine, Bamboo, Plum (1994)
Duration: ca. 2'
For tape
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Five (1-93) (1993)
Duration: ca. 3'
Instrumentation: fl., ob., 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Transparent Wave II (1993)
Duration: ca. 1'
Instrumentation: piano
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as so (1992)
Duration: ca. 6'
For tape
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Equinox (1992)
Duration: ca. 4'
Instrumentation: 6 voices, 2 dancers, 4 perc.; text by William Bronk
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for (1991)
Duration: ca. 2 ¾'
Instrumentation: fl., ob., Bb cl., vln., piano, perc.
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Than (1991)
Duration: ca. 4'
Instrumentation: Orchestra: fl., ob., 2 Bb cl., bsn., 2 C tpt., tenor tbn., bass tbn., 4 perc., harp, piano, 4 vln., 4 vla., 4 vcl., 4 cb.
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Bright seaweed reaping (1990)
Duration: ca. 4'
Instrumentation: soprano, 3 Bb cl., piano, 2 perc.; text - Cid Corman
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(6-89) (1989)
Duration: ca. 2'
Instrumentation: ob., 3 Bb cl., Bb tpt., 2 vla., 2 vcl.
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Five (1-88) (1988)
Duration: ca. 2'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (2-88) (1988)
Duration: ca. 3'
Instrumentation: 3 Bb cl., 4 vln.
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Five (3-88) (1988)
Duration: ca. 2'
Instrumentation: Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (5-88) (1988)
Duration: ca. 4'
Instrumentation: 3 Bb cl., 2 Bb tpt., tbn.
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Six (5-88) (1988)
Duration: ca. 4'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (6-88) (1988)
Duration: ca. 3'
Instrumentation: ob., 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (1-87) (1987)
Duration: ca. 2'
Instrumentation: 3 Bb cl., ob., 2 vla.
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Five (2-87) (1987)
Duration: ca. 5'
Instrumentation: 3 Bb cl., 2 vla.
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Five (6-87) (1987)
Duration: ca. 2'
Instrumentation: fl., ob., 3 Bb cl.
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Five (7-87) (1987)
Duration: ca. 2'
Instrumentation: fl., 3 Bb cl., 2 vln.
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Four (8-87) (1987)
Duration: ca. 2'
Instrumentation: 2 vln., 2 vla, 2 vcl.
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Five (8-87) (1987)
Duration: ca. 3'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (11-87) (1987)
Duration: ca. 3'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (12-87) (1987)
Duration: ca. 3'
Instrumentation: 3 Bb cl., Bb tpt., 2 vln., 2 vla., 2 vcl.
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Four (5-86) (1986)
Duration: ca. 3'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Four (6-86) (1986)
Duration: three sets, ca. 3' per set
Instrumentation: 3 Bb cl., soprano sax., alto sax., tenor sax., 2 vln., 2 vla., 2 vcl.
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Six (7-86) (1986)
Duration: three sets, ca. 4' per set
Instrumentation: 3 Bb cl., Bb tpt., 2 vln., 2 vla., 2 vcl.
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Four (9-86) (1986)
Duration: ca. 2'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Five (11-86) (1986)
Duration: ca. 3'
Instrumentation: 3 Bb cl., 4 vln., 2 vla.
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Five (12-86) (1986)
Duration: ca. 2'
Instrumentation: 3 Bb cl., 2 vla.
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(untitled) installation proposal, Washington Project for the Arts, Washington DC (1986)
cuurently unavailable
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Three (5-85) (1985)
Duration: ca. 1'
Instrumentation: 2 vln., 2 vla., 2 vcl.
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Five (7-85) (1985)
Duration: ca. 2'
Instrumentation: Bb cl., 6 vln.
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Five Variants II (1985)
Duration: three sets, ca. 3' per set
Instrumentation: 2 fl., alto fl., 3 Bb cl., 2 vln., 2 vcl.
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Five Variants III (1985)
Duration: three sets, ca. 3' per set
Instrumentation: 6 vln., 6 vla., 6 vcl.
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(untitled) installation, Strathmore Hall, Rockville, MD(1985)
cuurently unavailable
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4 (1984)
Duration: ca. 2'
Instrumentation: 6 vln.
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3 (1984)
Duration: ca. 1'
Instrumentation: 3 Bb cl., 2 vln., 2 vla., 2 vcl.
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Six Variants II (1984)
Duration: six sets, ca. 3' per set
Instrumentation: 2 fl., alto fl., 3 Bb cl., 4 vln., 4 vla., 4 vcl.
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(untitled) installation, Baltimore Museum of Art, Baltimore, MD (1984)
cuurently unavailable
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(untitled) installation proposal, Boston University, Boston, MA (1984)
cuurently unavailable
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(untitled) installation proposal, UMCP Art Gallery, College Park, MD (1984)
cuurently unavailable
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Six (1-83) (1983)
Duration: ca. 4'
Instrumentation: 3 Bb cl., 4 vln., 2 vla.
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(untitled) installation, Corcoran Gallery, Washington DC (1983)
cuurently unavailable
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(untitled) installation, Kornblatt Gallery, Washington DC (1983)
cuurently unavailable
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(untitled) installation, UMBC Art Gallery, Baltimore, MD (1983)
cuurently unavailable
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Four Variants (1982)
Duration: three sets, ca. 2' per set
Instrumentation: 4 vln., 4 vla., 4 vcl.
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Five Variants I (1982)
Duration: three sets, ca. 3' per set
Instrumentation: 2 fl., alto fl., 3 Bb cl., 6 vln.
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Six (4-82) (1982)
Duration: three sets, ca. 4' per set
Instrumentation: 6 vln., 4 vla., 2 vcl.
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Four (9-82) (1982)
Duration: ca. 2'
Instrumentation: 3 Bb cl., 4 vln., 2 vla.
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Six (1-81) (1981)
Duration: two sets, ca. 4'
Instrumentation: Bb cl./Bb bass cl., Bb tpt., 6 vln.
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Six Variants I (1981)
Duration: eight sets, ca. 3' per set
Instrumentation: 2 fl., alto fl., 3 Bb cl., 12 vln., 2 vla.
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Five (6-80) (1980)
Duration: ca. 4'
Instrumentation: 2 Bb cl., Bb bass cl., soprano sax, alto sax, tenor sax, 6 vln.
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Five (8-80) (1980)
Duration: five sets, ca. 4' per set
Instrumentation: 10 vln., 4 vla., 4 vcl.
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Four (8-79) (1979)
Duration: three sets, ca. 3' per set
Instrumentation: 3 Bb cl., soprano sax., alto sax., tenor sax., 4 vln., 2 vla.
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(untitled) installation, Brown University, Providence, RI (1979)
cuurently unavailable
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(untitled) installation, Brown University, Providence, RI (1978)
cuurently unavailable
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I-VI (1977)
Duration: two sets, ca. 3' per set
Instrumentation: ob., Bb cl., alto sax, Bb tpt., 2 bass cl., 2 bsn.
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4 Series/I, II, III, IV (1977)
Duration: ca. 3' per series
Instrumentation: 3 Bb cl., 2 vln., 2 vcl.
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Traces (1973)
Duration: ca. 9'
Instrumentation: fl., Bb cl., alto sax, vln., vla., vcl., piano
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Cassandra (1972)
Duration: ca. 13'
Instrumentation: chorus SATB, vcl., perc.; text by Robinson Jeffers
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Chamber Symphony No. 1 (1972)
Duration: ca. 2 1/2'
Instrumentation: ob., Bb cl. Bb bass cl., 2 Bb tpts., 6 vln, 2 vl., 2 vcl.
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Chamber Symphony No. 2 (1972)
Duration: ca. 1 1/2'
Instrumentation: fl., Bb cl., Sop, Sax., hn., C tpt., 4 vln., 4 vla., 4 vcl.
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A Draft of Shadows (1972)
Duration: ca. 9'
Instrumentation: soprano, piano, 3 perc., text - Octavio Paz
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Sonata for piano (on one note) (1971)
Duration: ca. 5'
Instrumentation: piano
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River Merchant's Wife (1971)
Duration: ca. 5'
Instrumentation: 2 vln., vla., vcl.
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String Quartet (1971)
Duration: ca. 4'
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